orphx, one of the main leaders of the industrialized techno movement returns to sonic groove with their latest new 12 inch >hunger knows no law<. delivering the goods once again to sg. orphx combines a mixture of tightly woven, deeply & bleepy hypnotic sound designs layered over fierce industrialized drum rhythms. electronic hypnosis for the dance floor. as was the case with their previous sg releases this one is sure to be played many a top techno ddj. >hunger knows no law< is being timed for release with orphxs european live show tour early this spring. along the tour will they will make their debut at the legendary techno mecca in berlin, berghain.

the nyc edit master kon (from kon & amir) has, after a bunch of hyped reworks on hands of time, bbe and on track delivered basic fingers a 12 inch with two killer disco reworks. we start with windy city >chicago<, a fierce disco edit that kon twisted just the right way! its playful and soulful disco at its very best. but the highlight of the release is possibly hidden on the flip. here we get a +10 min uplifting disco rework of sylvesters high energy hit >mighty real< which now sounds way fresher (and better) than the original if you ask us. yes, we are talkin real dance music on basic fingers ... a label with the goods!

ltd white label promo edition... warm is a deeper, yet fierce, house cut, which was inspired on early rhythim is rhythim material. two essential 80s chicago tracks that thankfully see full release now. collect it now !!

the formation tojami sessions - consisting of michel niepenberg, tom bucher and jacek darnowski hailing from frankfurt - is a new project on dessous records, yetl their members are already veterans in the game: tom and jacek have been producing together since ‘92 and are best known for their releases on the raum…musik label using the pseudonym skiebÄck. in ‘99 tom joined the crew as drum player. digging a diverse variety of house music, their first dessous 3 tracker sits perfectly within the labels sound aesthetic. >depth< is a long building journey - providing moments of deep contemplation before lifting you higher again with the injection of sheer, raw energy: a fierce kicking bassdrum, congas and a strong bassline that sneaks in through the backdoor are smoothed out by strings, warm chords and a nicely flowing rhodes solo. >fame< oozes with funk - raw, metallic rhyhtms that owe something to vintage chicago. they keep it classic with the closing track >lake st. clair< that sports a bumpy analogue bassline and shimmering keys. dessous records still riding high!

addictive beatdown house tracks inspired by the athmosphere of a foggy san fransisco. memories of days with good friends hanging out in a foggy city gives a melancholic feel, but the masculine grooves make this a fierce release that works well in the club. a nice combination that goes back to some hiphop roots and a love for deeper intense house music that works in the club. great start for this new japanese label from tokyo!

marco bailey attacks the night with this fierce 3-tracker, accompanied by fellow sian on the remix front.

mowar has reached its 10th release! this release heads into a darker direction with four solid and mental techno movers. searle is a new name to join the mowar ranks, but his sounds are pure, raw with a pinch of dark ambience. the record opens with the title track mind transfer, which brings a raw oldskool 808 feel layered with hypnotic basic channel-like chords and a subtle but most effective acid line. modern love s claro intellecto on remix duty turns the track into a slow moving warehouse monster, throbbing its way to a drugged chicago-esque jacking feel yet retaining the original darkness of mind transfer. on the flipside succubus lives up to its ominous title. this track is a dark hypnotic affair with fierce kickdrums piercing through an obscure sound palette of eerie pads and deep basses. razor sharp modulated noise then invades the whole thing turning the track into a punishing dark workout. finally unauthorized brings a more edgy and experimental sound to the whole, starting of with a dubby bassline and graveyard shift pads, but once the piercing hi-hats kick in, the track shifts to straightforward almost cristian vogel-like mental techno. by the way… searle is a new moniker of mowar frontman franco cangelli.

token is 5 years old. i never planned to do anything special for this occasion. however, when i received these 2 new tracks from phase, all just fell into place. this release pretty much sums up what token stands for since day one. both tracks are fierce pieces of relentless yet deep techno, in-your-face yet very subtle rhythms, all credited to phases detailed drum programming, keen sense of atmospherics & sound processing.
what else.. except for the fact we flipped the graphic design a bit, we can tell you 2012 is going to be a busy year for token. there is a lot of exciting music floating around we definitely want to share with you soon, not just the usual suspects but also some new signings.
keep your ears peeled.

7th part of the series with more high class acapellas from the defected camp.

hot deal! support by nick curly, reboot, karotte, robert dietz, mathias kaden, soul clap, dj hell, brothers vibe, &me, adam port and many more.. andrew soul continues to shine as one of the most exciting young talents form his native italy. his current switching positions ep on new yorks stranjjur imprint is winning many a plaudit and today he rolls into town with his latest offering on kiara records, too much love will kill you. andrew brings the funk with his deep bassy synth lines and pounding kick. he also continues to impress with his use of vocals, here using a pitched down soulful take. but its the bass that wins the day and takes control. watch the girls move! on the remix kiara welcome dutchman julien chaptal who dips his rework into some fierce nyc flavouring. killer drum pattern and a twist of the vocal bring a whole new face to the original whilst creating a fearsome and equally potent groov

super dope debut from this new producer... 3 great tracks that remind us a bit of the aardvarck sound with some recloose style funk thrown in... another new signing on rush hour. this time b.d.i. delivers the goods. city & industry is a fierce builder that balances between house and techno, which we shall dub peak time music. the wod balloon dud is a more freestyle affair, which reminds us of finer todd terry days. with industrial kites we go rumble in the jungle with a huge percussive workout.

trust now is the keystone album of brooklyns prince rama. the album takes the kaleidoscopic mysticism of ancient devotional music and focuses it through the fierce urgency and archetypal language of pop, forming an environment that is both accessible and impenetrable. deep synths rise from a sparkling sea of gamelans and prayer bells as tribal drums pound the earth with the hypnotic power to heal or destroy. voices carry captivating and haunting melodies that shine like the diamond jewels of old bollywood soundtracks spilling over dark wave dance floors.
first conceived as a ritual to be performed live, the songs were fittingly recorded inside a 19th century church in seattle by scott colburn (sun city girls, animal collective, arcade fire). as their 5th full-length album, and first as a duo, trust now is perhaps prince ramas most focused, cohesive and powerful album to date.
comes with code for free digital download of this album.

heavy austrian dub mechanics from group niob aka phlox conspirators gerhard potuznik and martin sovinz. this is their 2nd release to date, a dedicated follow up to last years >vector ep<. opening track nexus takes dubtechno one step further down the road to the lowlands. it manages to keep the atmosphere dread and melancholy but balanced with light skipping percussion and whispering snippets over a four to the floor beat, creating an uniqe kind of bass music. second tune aldo glows with warm chords over thick and dreamy rhythms, rendered in spacious minimalist dub style. side two starts with a vocal drenched acid-rework of nexus by no other than tin man. the words >doesnt matter who your are< will settle down deep in your subconsciousness and refuse to leave for some time. already an anthem and that kind of tune that should not be missed on future dancefloors. the ep ends with a fierce and forward shifting, floor shaking nexus-rework by londons bass cadetts dark arx

massive versions by detroits theo parrish and burnt friedman!
theo roars into a fierce, uglier-than-ugly edit, with no let-up for thirteen minutes, when it crashes to a standstill: a hurtling, mesmerizing ride, multi-layered and clustered with synth washes, bleeps and alarms, galloping drums, clattering percussion.burnts shangaan variation is perforce more chilled, lithe, reverberating. the drums are crafted and fatback, with moody vocal interjections and haunting keys, chocka with dub thrills and spills, lethally spiked with bass.

john daly continues his search for the beauty on house music. his own one track records label delivers number 6. and its another stunning release with an amazing emotive house track in the vein of larry heard and some early chicago masters that been exploring the more fragile side of house music. john delivers tracks that are emotive yet strong and even some jacking vibes in it and a fierce bassline that keeps the pressure on. the chant comes in two parts and are among the most beautiful tracks we ve heard in a while... part 1 is the original version with full on vocal chants, where part two is a sort of dub mix with amazing melodies. another stunner by mr john daly.

tommy walker 3 has been hiding for a while now, after releasing a slew of material in 2008 (including a release on the sadly defunct dissident). now hes back with >dance music clubbing<, and with a name like this youd probably expect this ep to either be a bit off the wall, or unintentionally awful. we are glad to say it fits into the former category, offering an ep of colourful elastic space disco mixed with a more classic vibe. opener >disconnected< sets the tone with its 80s, verging on hair metal guitar riffs. >mwj1< impresses with its almost seinfeld-esque slap bass, and synth piano stabs while >errational< is characterised by its wonky synth melody and spaced-out laser gurgles. finally >v brains< melds driving live bass with huge slabs of cosmic squelch. if you like your disco fierce, this will definitely be worth a look

returning to the plus 8 fold once more, paco osuna is one of spains finest electronic exports. having made a name for himself with a residency at amnesia over a decade ago, he hass since gone on to play places like watergate, fabric and movement festival, all the while holding down a residency for barcelonas club4 night at city hall. his experience in the studio goes way back, too, with releases on drumcode and minus as well as mindshake - the techno imprint he founded in 2005. the osuna sound has never strayed too far from the pulsing heart of the dancefloor - despite investigating everything from dark and fierce to stripped and raw techno - and thats the case once again on his four ep …

after the untimely passing of ben bracket brydon in april 2009, his friends got together to pay tribute to him in the most fitting way possible, by creating a not-for-profit label that showcases some of the incredible music that he made. and what music it is, fierce, interesting and above all fun with an instantly recognizable production style. check it...

nice price deal !!! yes yes people, we are back! its been a while, but we are going to be hitting you with some seriously good tunes this year, so watch this space. anyway, on to the music: if you like your tunes big fat and heavy like an elephant on steroids, then get ready for an absolute pasting from new boy on the circuit, depone! depone is a producer that has really caught our ear at the z audio towers of late and when you hear these tunes, i m sure you will understand why. all 3 tunes are fierce, dirty, gritty, disgusting and overall very well produced. the great thing about depone is that he manages to create in your face music without pointlessly wobbling the lfo filter. theres some real depth to this young talent and i m sure you will be hearing some more great music from depone in the very near future.

colombage is a new division of fachwerk records focusing on more house releated tracks. like before fachwerk and mike dehnert stay close to home with selecting contributing artist for his label... after long time buddys sasha rydell and roman lindau he adds a new artist to his roster - romans long time friend reno wurzbacher. mr wurzbacher delivers a smooth warm track that feels like a warm breeze on a summer night. friendly and nice! flip side is done by mike dehnert himself with a typical track for him... but lets be honnest, not so housey after all :-) techy chords, fierce percussion with nice rides and slowly building... thats how we like our mike dehnert tracks!

grey coloured lp.

berliner martin dawson and polish duo catz n dogz join forces to bring us this fierce three track ep entitled no nights. the first track on this release is no nights. brimming with warm pads and an accusing, dark lo-fi synth line this version has a deep vibe to it and the ability to really get under ones skin. following this the berlin-polish team hit us with no nights (beatz mix) a catchy tech-house number with a lo-fi synth line sporadically accompanied by a melodically decending dubby synth. combined with the crisp vocal line this makes for a very promising track. no days, the last track on this release gets straight to business with distorted vocals and a menacing bassline that intertwine throughout the track. varying rhythmical flourishes keep it interesting, while tripped out synthesized sounds guarantee to get any dancefloor grooving. we couldnt be more pleased with the results of this tenacious trio and we look to the future in hope that they are already planning further collaborations.

cadenzas latest offering comes from swiss german duo laurent bovey & gregory poncet, more commonly known as digitaline. firm family within cadenzas realm of artists, digitalines latest >up and down my spine< ep is their fourth contribution to the increasingly impressive cadenza catalogue of experimental and meticulously produced electronic soundscapes. deep and chugging grooves, atmospheric spheres and industrial synth patterns are digitalines forté. up and down my spine is no exception to their uncompromising rule. a-side africa makes its grand entrance with a deliriously deep bass line belting from underneath its hazy atmosphere and pouncing crisply into cutting hi-hats and sweeping snares. the jerky rhythmic groove is determined from its first steps and contrasts impeccably with the sensual and stripped down vocal from diaraby nene by oumou sangaré. trickling over the top of a fierce and bouncing violin melody, the listener is catapulted into a woven cultural journey. africa is an encapsulating house track thats plethora of influences and appeal span worldwide. on the flip, the duos >shivers< is percussive and a clear companion for its counterpart, >africa<. made to sit effortlessly together, the same potion of heavy kicks, tribal essences and impeccable arrangement follow from one side to the other, coaxing our minds and bodies into digitalines intricate musical world

second installment on colourful has tobias linden, orange muse returning with some serious summer heat. the terrace mix with it’s euphoric piano hook and vocal chants against a funky backdrop will be perfect for those late decadent summer nights. the basement mix is an altogether different affair, stripping all the elements, featuring a raw synth hook to build the tension. bouncy with prominent percussion this mix still carries the uplifting, spiritual feel of the terrace mix. stepping up to remix is none other than the beats maestro himself, mr. kenny dope. drawing on the past, adding a splash of new, kenny comes really fresh on this one. raw, dry beats, deep bass drops and a sax hook to match the vox snippets - this is one piece of fierce floor action! add to that an instrumental and the colorful year of 2011 is in full gear– what else do you need?

the eerier child, a rotterdam-based producer, now releases 3 new tracks on his newly co-founded label black sunday recordings after previously releasing several successful tracks on labels mindtrick records and redrum recordz. in a still ongoing journey through various music styles, the eerier child found shelter in the bold realms of dubstep. in these very realms, he discovered a world where he could release his full power of fierce rhythms and colorful soundscapes drenched in an eerie atmosphere.

third and final part of the massive longplayer.. fierce and dark techno weapons! berghain proof ! having built up several heavyweight releases on figure already, japanese techno magnate a. mochi stampedes onwards with primordial soup his powerful 9 track longplayer, initially split over three successive 12 records. this collection of simply overwhelming club weapons extends and expands upon some of the themes the producer already explored in his 3 previous eps for figure ringing, gyrating and pulsing with sheer technoid power is fastball, which will be included on the third part of the release. devilishly simple and yet mind-expanding all the same, this is a true underground weapon for true techno lovers. this only leaves the haunting lift-off signal of forced run, and the trance-inducing, reduced jam that is dark matter.

babylon by car is entirely in this ambiguity, between nostalgia and modernity, between pop and post-punk, electronic music and rock, past and future – its where kraftwerks >men-machines< celebrated an endless future with obedient machines. botox summons the ghosts of the century, from cybotron to wire, from fad gadget to john carpenter, to give birth to greatly personal music and, in all honesty, a rather unique sound in french electronic music. botox doesnt swagger to keep their motors running. both melodic and fierce, >babylon by car< comes as it is. and its probably the best way to take it in

including the neon judgement >tv treated<, fierce ruling diva >atomic slide<, front 242 >no shuffle< and drax ltd. ii >amphetamine<.

a showcase of us & international artists and starting the show off is a fierce, pump action techno debut from uks abstract science sure to sweat that dancefloor. another generator debut is by sydney, australias andy rantzen itch-e and scratch-e with a soothing techno grooved love song entitled >the kiss<.
packaged in art by alan oldham, handnumbered.

after penning several of the classic cuts on manchesters cult pleasure label, martin played an instrumental role in the rise and rise of the citys famous fat city record store and stable of labels. later work as part of j walk led to yet more acclaimed releases, including 2002s superb a night on the rocks lp, beating zero 7 to the buzzer with their expertly executed lounge-funk. here martin returns to those raw fat city roots however, concocting a fierce bass led freak-out which sounds like a super charged lost classic from the golden age of funk ! manchesters fastest rising aussie star rüfdug gets to grips with the flipside, offering up a perfectly executed modern house jam, which lifts the dancefloor elements to a different level with a great deal more dirt and drive ! a killer release were sure youll agree

fierce jacking chicago influenced tracks as only legowelt can do it! very much in the vein of his dx days release with straight forward jacking analogue drum machines, trademark legowelt string sounds and wobbly bass lines.

cosmin trg is back with his 2nd release in the direct current series on rush hour. this time he loses the steppy beats and turns out two fierce house tracks, yet he keeps his signature cut up r&b samples and the future attitude. trg is fast becoming one of our favorite new house producers

super hot track from the winter conference by this subliminal star with fierce guitar soli and bumpin beats.

feedback: david dunne (nu cool show galaxy fm): very nice indeed / lewis dene (update/tilllate magazine): lazy rich is the man. / ant nichols (kiss fm): lazy rich remix is the most appealing from this / tom finlay (groove armada): support 8/10 kid massive (audiodamage): the lazy rich is huge !! / atfc (defected): support / joachim garraud: support 8/10 / cj makintosh: original mix for me / mark doyle (fierce angels): love it / richard dinsdale (toolroom): gary caos hot mix alllll day long.

after the untimely passing of ben bracket brydon in april 2009, his friends got together to pay tribute to him in the most fitting way possible, by creating a not-for-profit label that showcases some of the incredible music that he made. and what music it is, fierce, interesting and above all, fun with an instantly recognizable production style. check it...

go hiyama has always been a very interesting artist for me, ever since he emerged in 2002 on james ruskins coda label. both his musical & production style have changed a lot since then and i personally feel theres still no one out there who comes near to what he is doing. we planned on working together since a long time now and i am glad we finally made it work with this brilliant 4 tracker. no fillers. all 4 tracks have been tested thoroughly in my sets and always stood out as highlights.
no compromises on these fierce punishing drums, delivered by one of the most promising talents in techno the last years. hope you will enjoy playing these tracks as much as i do. (kr!z)

limited edition picture disc. definitely designed to intimidate those weak of will, scare tactics will also dominate any dancefloor you care to drop it on. bruising beats and a twistedly belligerent bassline combine to bully the crap out of your ears in c4cs typically ruthlessly efficient style. >born dead< sounding like the score for some sort of dystopian future where machines rule man, born dead is a foreboding, offbeat, synthetic and sinister tune. samples swirl around your head while the bassline rises from the metallic mire to grab at your feet. future filth indeed.
dj support: andy c, friction, hype, bailey, goldie, gridlok, fierce, concord dawn, dieselboy, prolix, ed rush, bad company plus many more?

mowars 6th release is delivered by label boss franco cangelli, 2 solid deep techno cuts accompanied by an exquisite mlz treatment. >paper cut< is a smooth and hypnotizing dubbed out techno track for the deeper dancefloor moments. stripped down and most efficient, paper cuts intoxicating dreamy pad sucks you in from the start and gets you hooked on the dubby chords and an addictive bassline. simplicity and solid deepness!
>when they come< on the other hand is a darker affair with ominous pads and fierce kickdrums backed up by deep basses and funky schizoid sounds. dark detroitish techno for brainwashed dancefloors. mlz (half of pendle coven), turns paper cut into a darker cut. dark acidic basslines, a pinch of robert hood mixed with the deep dubby side of the original. very captivating until the very end of the track. another strong mowar cut!

great follow up on van rivers original wood sequence track and some more new tracks on this ep.
a1 hanna sandviks >employ< provides a raw no-nonsens straight forward techno track.
while the a2 side peter van hoesens remix for the subliminal kids >upp/ner< (f001) gives us just the basics, some straight up fierce minimal techno for the club!
on the flip tobias von hofstens >fuktish< produces some energetic breakbeats that surely put any dancefloor on fire.
b2 is where it all started with van rivers >wood sequence< track given the remix treatment by dvs1 and still maintaining its original deep and dubby vibe with its mesmerising synth stabs and space chord echo fx, job well done!

dj duke, unsung hero of deep house ingenuity, receives a deserved and absolutely essential reissue from nycs slow to speak imprint. one of the lost masters of the abundant deep house community of the early 1990s, duke epitomized the queen-infused, deeply fierce insular dialogue of new yorks most outcaste underground. part of his ode to deep house staples of yesteryear lost, >heard< live up to their namesake, instrumental electronic masterpieces that disregard the concerns of conventional standardization while retaining the indisputable efficacy of nys exploratory antiestablishment. emotive, depthtful and totally accessible, >core 1995< is the first re-visitation of forward-looking genius that will continue to epitomize slow to speaks retroactive genius, speaking more to the potential inventiveness of dance music than its former vivacity. highly recommended.

the mole cooks up two slow burners for the warm northern nights. >nervous disid< emerges from somewhere between bobby konders and that old dance mania b-side you always want to play - but never have the nerve. thick fuzzy kicks, and jacked up toms - result in a heavy techno disco jam for the mixers and lovers.
>secret mummy< is a slo-mo romp into colins secret cookie factory, flavors are tough, fierce, and popping. 9 minutes of organico-inspired house music mixed with forgotten disco horns and old rusted cowbells.

theres something brewing down at dumb-unit and this time its in the venomous form of a cobra sun. legend has it that the cobra sun is a sun so fierce that a man can only face it at the crack of dawn. only at this point can one survive its monstrous wrath. whatever the truth may be, what is certain is that a new legend arises with pheroxs moving interpretation. a massive journey full of dynamism and extremes the cobra sun is yet another notch to be carved into dumb-units sonic bed post.

first release of john dalys new label called one track. each release dedictated to one track which will be presented in several versions. these are tracks that john loves playing in his own sets and he is so friendly to share these tracks with us. meltdown is a crispy hypnotic tracks that has that lovely mood that mr.daly always creates in his tracks... he combines this with an irresistible updated larry heard groove. fierce classic chi-town drum patterns performed in a crispy modern way. the b-side gives 3 other versions and takes of the track which make it an perfect dj tool. john daly quality!

after its first release rework closer moved bass cadets and techno heads alike, the label returns with some fearless offbeat pressure in round two. a side sun touch aint about cherishing the first sunshine in springtime – rather like a fierce ray of light hitting you right in the eye, darkening everything for a moment. killer broken beats, rumbling subs and a gloomy atmosphere run the program until a nasty acid line takes over and funks things up even further. drain on the flip continues where closer (ams01) left off, the warm synth blanket this time appearing as a melancholic drone sequence over beats syncopated to the max. bonus cut untitled is the 2006 original of a tune bass music heads will be familiar with by now... beats from the machines, heartfelt lfo’d chords and arpeggiated bleeps round off this uncompromising twelve.

another hot limited marcellus pittman release with 3 tracks. already been played by theo parrish and omar s. dirty raw house tracks from detroit! on a dark dance floor you will be given a glimpse into the heart and mind of marcellus pittman. fit sound, a new imprint from detroit,debut with an ep from the talented detroit producer marcellus pittman. erase the pain, is a mutated acid banger carefully arranged to be absolutely devastating when in the right hands. twisted bass lines and synths travel together and divert over a fierce jacking beat. sync is a night drive through the city streets, but this night is strange because the sky has become purple. grey buildings turn into unrecognizable forms. people standing on street corners, now appear to be zombies lurking in the darkness. is this a nightmare or is this for real? illa 5 ela brings it all back to the days when you first felt love for that special somebody. early white labels copies have been tested in clubs worldwide and the results are unanimous: killer. follow theo parrishs advice, dont sleep...serious rugged service right here!

liquid blasted, russias most famous hardcore producer, delivers a bad ass industrial tekno ep sure to twist your head and crash your speakers. these 4 tracks deliver great production and fierce beats to mix into hardcore & tekno so dont miss out on this underground gem.

four track ep by label owner aroy dee.
the first track >once u loved<, is warm and emotional, with slowly evolving strings topped with mysterious whispering vocals, reminding to older blake baxter material. 2nd track, >tears< is a fierce and sexy chicago-house influenced dancetrack, with a solid baseline, steady beats and lush keys.<br 7>first track on the b-side is >lift me high<, a downtempo dreamlike analogue house classic with haunting strings and vocals of miss salvador, merging larry heard and g-strings with an italo-disco kind of atmosphere. last on this ep is >soul spark<, an atmospheric techno track with the raw energy of early relief-releases and the psychedelia of dance mania.

palette recordings celebrates its 13 year anniversary with a release by the duo that started it all for the label. no giant mix compilation or collection of remixes, just another example of what has built the foundation of palette over the last 13 years. john tejada & arian leviste have been collaborating for over 18 years now. with this release the duo in a way come full circle, combining some of their oldest production techniques with newer ones. its been a long road for these 2 seeing styles and trends change, equipment and technology come and go over the years, but what has remained a constant is their vision of electronic music. >messenger< with its subtle intro of modular synths and rhythmic pads breaks out of its sinister drop full force into a multi dimensional crowd pleaser. the stabs continue to build energy while layered drum programming and modulating synth lines escalate the tracks energy. on the flip, >observer< continues with a fierce pace that harkens back to the days of palette 4, combining vintage synth stabs and drum machines recreating that classic vibe which is gaining such momentum again these days. the difference here is these guys were around at the time already releasing music that would garner them such high acclaim over the years.

the machine has been kick-started! industrial movement returns from the dark with a fierce 4-tracker under strict guidance by deathmachine. get your fix with both mid and up-tempo uk hardcore beats! solid productions showcasing the enhanced mechanics of one of britains next-level producers. theres nothing unlucky about the thirteenth release at im when this audio hits your decks!